It’s quickly become a highlight of couture week — and fueled interest in Gaultier’s vast and eclectic oeuvre, achieved over a career spanning 50 years. Indeed, his influence can be felt in fashion’s current obsession with bodystocking dressing, busy prints and anatomical motifs.
The idea of different designers interpreting one couture brand first came to Gaultier in the ’90s when one Paris house “found itself without a designer,” according to Gaultier, who has never named names, though the house in question is believed to be Jean Patou, famously ignited by Christian Lacroix in the ’80s. (Gaultier also worked at Patou earlier in his career.)
Ackermann described the project as a fantasy fulfilled on several levels.
“If one follows fashion, you follow Jean Paul Gaultier,” he said. “I have enormous respect for how progressive and avant-garde his work has always been. He has always pushed the envelope in culture and society as a whole, above and beyond fashion.
“To approach haute couture has always been my dream, and now being the guest of the Jean Paul Gaultier haute couture house is an immense honor that I fully embrace,” he added.
Ackermann has made waves lately dressing the likes of Tilda Swinton and Timothée Chalamet in custom outfits for red-carpet appearances, with Chalamet recently causing a stir with the backless top he wore to the premiere of “Bones & All” at the Venice Film Festival.
The designer last showed his signature collection for the fall 2020 season, and recently served as a creative consultant for Maison Ullens. From 2016 to 2018, he was creative director at Berluti.
The Colombian-born, Paris-based Ackermann is a graduate of fashion at Antwerp’s Royal Academy of Fine Arts and started his signature label in 2003. His upbringing in countries including Chad, Ethiopia, Algeria, The Netherlands, Belgium and France has fed his eclectic, globe-trotting style.
He’s been something of a trailblazer with his red-carpet dressing. In 2018, Chalamet bucked convention by wearing a white Berluti tuxedo and bow tie by Ackermann to the Oscars.
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