Masahiko Uotani is leading Shiseido boldly into the future with a strategic vision that places the Japanese giant at the center of the beauty universe.
When Masahiko Uotani was named president and group chief executive officer of Shiseido Company Limited in 2014, he was the first person from outside of the company to ever be named to the role.
Uotani’s mission was very clear: To transform the Japanese cosmetics giant into a truly global enterprise, and he brought with him decades of experience at international companies, most notably Coca-Cola.
Over the last eight years, Uotani has done just that. His achievements include strategically diversifying Shiseido, both in terms of talent and key brands, rejuvenating the corporate culture worldwide and driving growth in key Eastern and Western markets.
His impact is undeniable. Sales increased from about 760 billion yen in 2014 to over 1 trillion yen in 2021; the average annual share price increased from 1,816 yen in 2014 to 6,414 in 2021 and Shiseido’s market capitalization soared from about 720 billion yen to over 2.5 trillion yen.
As transformational as his tenure has been, Uotani’s appointment also marks a continuation of sorts. Founder Arinobu Fukuhara started Shiseido as a Western-inspired pharmacy 150 years ago, with the intent of marrying the best of East and West. And like Shinzo Fukuhara, the son of Arinobu who took the company into the cosmetics business, Uotani attended Columbia University in New York City, immersing himself in American culture.
Now, as Shiseido grapples with the ongoing effects of the coronavirus pandemic in a home market that has been particularly hard-hit compared to others around the world, Uotani is tapping into the East-West connection and a global perspective to guide the company through one of the most pivotal moments in its history.
“The last two years have been very challenging, with sleepless nights,” said Uotani, during a wide-ranging interview in Shiseido’s Tokyo headquarters. “But facing these issues has strengthened our company’s sense of unity and working together, so that we can go for another 150 years. I feel quite positive today.”
Over the last two years, Uotani has put his money where his mouth is. A $400 million Global Innovation Center remained open and operational in Yokohama, Japan, and the company invested $1.2 billion in three new state-of-the-art manufacturing facilities in Japan. Planned renovations of the Shiodome headquarters were also completed, while a new Manhattan headquarters for Shiseido Americas opened in 2019, as well as other regional headquarters in Paris, Shanghai and Singapore.
For Uotani, such expenditures represent an investment in the future of the company — and its people — far beyond the facilities themselves.
“With ‘People First’ as our fundamental value for our company, I have a strong belief that we as human beings on the same team have to trust each other, irrelevant to your personal background or seniority,” he said.
“When trusted and empowered, I believe people proactively think and gain ownership for what they need to deliver. It is much better than being ordered or pushed to implement one’s responsibilities.”
That vision was put to the test during the pandemic, when Shiseido’s very survival was at stake.
“As a leader, I had two options at the beginning of the pandemic — put my head down and wait until the storm was over. But no one knew how long it was going to last and I had to protect the company and our people.”
The second option for Uotani was transformation 2.0. “For Shiseido to survive the crisis and be vital for the next 150 years, we had to make some tough decisions, together as business leaders,” he said.
“When we faced the significant challenges of the COVID[-19] crisis, our regional CEOs and their teams had a very proactive approach to protect the core value of Shiseido through their transformational efforts,” he continued.
To that end, in February 2021, Shiseido announced the sale of its personal care business in Japan to CVC Capital Partners in a deal valued at $1.5 billion. In April of that year, it announced it was concluding its licensing activities with Dolce & Gabbana (“we knew that it was going to take more time to become profitable, and under that kind of crisis mode, we didn’t have the luxury to wait,” said Uotani) and that August, it sold Laura Mercier, Bare Minerals and Buxom to Advent International for $700 million. In all, about $2 billion in sales exited the portfolio
The company announced a new strategy, one that capitalizes on its core capabilities in research and development and innovation, as well as global market dynamics.
“We are going to be the world’s number-one skin beauty company by 2030 — that’s the vision,” said Uotani. “It doesn’t mean that we are not going to do any makeup or fragrance. But we are going to focus on growth.
“Our mission is ‘Beauty innovations for a better world,’” he continued. “We think that consumers are redefining beauty in a broader way, including health.”
Uotani posited that Shiseido’s Asian roots make it particularly suited to seize this moment. “This is an approach that is more skewed to Eastern thought. How you eat and live your life impacts your skin condition. Japanese and Chinese women truly believe good digestion helps their skin,” he continued, noting that one of the products he launched at Coca-Cola was a lactic drink that aided in digestion.
“Our frame of reference can be expanded with consumers changing, therefore we made the decision to focus on skin beauty — not skin care,” he said. “What you eat, your quality of sleep, your stress levels, mental situation — all impact the skin. Holistic beauty is a more important concept and value for consumers.”
As an example of the new focus, Uotani cited the color category. “Focusing on skin beauty does not mean we will not support makeup or fragrance brands anymore,” he said. “We can apply the skin beauty concept to our makeup and fragrance brands as well. For example, Nars is very important to our portfolio and Nars can grow.”
To wit, the team took the framework of skin beauty and concepted the launch of Light Reflecting Foundation. Introduced in February, the product is the biggest launch in the history of Nars.
“By making use of our technology and R&D like this — that is the future of Shiseido,” said Uotani, citing the Effectim 3D Beauty Lifting Activator device as another example. It launched in Japan and China earlier this year.
Uotani is a gregarious executive with a ready smile and easy manner. He relishes interacting with people, and while his team might try to keep him on schedule, he will always take the opportunity to engage in conversation, expand upon a point, share his point of view.
His leadership style is collaborative, and for Uotani, building back better means working together.
“Even though we couldn’t get together physically as an executive team, we were able to strengthen our sense of comradeship,” he said. ”Trust creates strong solidarity and unity in the global organization and community.
I personally see this as the real thrill of running the global business together with people who have different backgrounds. When putting priority on trust and empowerment, I only ask everyone to follow the ‘bad news first’ practice to avoid the risks and solve the problems together.”
The same dynamic happened throughout the company, which Uotani believes will be critical to success moving forward. As he talks about Shiseido’s goals in terms of sustainability and digitalization, he always circles back to the human aspect.
“Who is going to make all of this happen,” he asked, as he ticked off the enormous changes in the company’s media strategy, for example, in a post-COVID-19 world.
“The 2030 vision is going to be realized by our people. By going through this pandemic, I am even more confident that we have to really put more focus and investment in our people. People first.”
Today, Shiseido has about 40,000 employees, about half of whom are Japanese. The others hail from over 100 countries.
From the very beginning, Uotani has been as focused on ensuring a transversal flow of ideas across all six of Shiseido’s key regions: Japan, China, APAC, the Americas, EMEA and Travel Retail.
While the business and the brands are global, his time spent at Coca-Cola also taught him that to truly appeal to worldwide consumers, you had to develop a deep understanding of their preferences, nuances and cultural habits.
“We are all human beings, but consumers are different based on where they live and where they have been raised — in terms of culture, values, language, behavior,” said Uotani.
“We need a consistent global strategy and brand approach, which requires talented people to work together. We came up with matrix organization strategies and we created regions.
“Region is not a sales company,” he continued. “It is a comprehensive organization.”
To that end, Uotani has globalized Shiseido’s executive committee over the last three years, appointing Maria Chiclana to the role of chief legal officer and global general counsel; Angelica Munson to chief digital officer, and Antonios Spiliotopoulos to the position of chief supply network officer.
While Chiclana is based out of New York, both Munson and Spiliotopolous have moved to Tokyo. The overarching goal is to continue to inject all levels of the company with diversity in terms of thought leadership and agility when it comes to execution.
Despite the challenges of the last couple of years, Shiseido has still managed to move quickly, in terms of product development as with Nars; globalization, as with the rollout of Drunk Elephant to new markets, and incubating new concepts in key markets.
This past June, the company launched Sidekick, a skin care brand targeting Gen Z men in Asia. That followed the April introduction of Ulé, a sustainable skin care brand developed by and for Europe.
The concept came from a conversation Uotani had with Lindsay Azpitarte, a Shiseido brand manager in Paris, about four years ago. He shared his experience in launching myriad drinks while at Coke, and she shared her idea for a conscious skin care brand. Uotani gave her the green light, and it was developed by the local team from scratch.
While Uotani doesn’t rule out acquisition to expand the brand portfolio or company capabilities, such projects perfectly encapsulate what he’s trying to achieve internally with the evolution of the corporate culture.
“We are by definition a manufacturer — we have our own R&D, our own manufacturing plants, distribution and store presence, and communication with consumers.
If you always go out and buy companies to acquire new brands, you deteriorate your own capabilities of development,” he said.
“Instead, marketing people should be strengthening their ways of looking at consumers, coming up with insights and ideas to create new products and brands and services. That is what our value is.”
For now, Ulé has launched in its own store in Paris and in a handful of retailers. Uotani can envision brands that are created in Japan moving westward, and Shiseido will have stronger capabilities to develop more brands catering to specific local needs.
But his global vision is one that extends far beyond business.
Despite Japan’s lockdown — the country is still largely closed to tourism — Uotani has managed to find ways to ensure that Shiseido plays a key role on the global stage. Recently, for example, he spearheaded a concert to benefit Ukrainian refugees in Japan. Even though Shiseido had donated 1 million euros to the UNHCR, the United Nations’s refugee agency, he wanted to do more. He enlisted some of Japan’s biggest companies to join Shiseido, including Suntory, Seiko, Daiwa Securities and Tokyo Marine & Nichido Fire Insurance, to stage a concert in June called Music for Peace. In all, 23 million yen was raised to support people from Ukraine in Japan.
“One day they are going to go back to Ukraine and rebuild their country and we have to support this,” he said.
That ethos is not new to Shiseido — it’s the very foundation on which the company has been built.
“From the beginning of our company, social value is built into our heritage. Arinobu Fukuhara didn’t say he wanted to build a big business to make a lot of money.
He wanted to deliver good medicine to society,” said Uotani. “We want to react to consumer changes and social requirements with a seriousness and diligence.
Ethics and integrity are the key values this company has always embraced. Even when we are facing big issues, we ask, how can we contribute to the world?”
Zara is facing a backlash about an advertising campaign which some people claim resembles images from the Israel-Gaza war.
The Advertising Standards Authority (ASA) said it had received 50 complaints about the social media campaign called “The Jacket”.
One image shows the model holding a mannequin wrapped in what appears to be white plastic.
The BBC has contacted Zara for comment but the company has not responded.
In a series of images, the model is pictured against a background of cracked stones, damaged statues and broken plasterboard.
Some on social media have suggested they are similar to images emerging from Gaza following Israeli bombing in retaliation for the 7 October attack by Hamas when 1,200 people were killed.
The Hamas-run health ministry in Gaza has said Israel has killed about 18,000 people.
The campaign for Zara’s Atelier line is no longer on the company’s app or website.
Some images appear to have been removed from Zara’s Instagram account, though others remain.
In the comments several users call for a boycott of the firm.
One Zara shop in Spain has a window display with some props similar to those used in the campaign.
The company describes its thinking behind “The Jacket” as “an exercise in concentrated design that is conceived to showcase the finest aspects of Zara’s creative and manufacturing capabilities, Zara Atelier offers one garment, six ways – and with unlimited possibilities”.
A spokesperson for the ASA said: “We’ve received 50 complaints about this ad. Complainants argue that the imagery references the current Israel-Hamas conflict and is offensive.”
The spokesperson added that the ASA was reviewing the complaints but was not currently investigating the advert.
Recently, M&S apologised after the retailer was accused of posting an Instagram photo of Christmas party hats in the colours of the Palestinian flag on fire.
The ASA said that it had received 116 complaints about the image.
It said that following a review, it determined that M&S had not broken ASA rules and “no additional investigation was warranted”.
Nevertheless, M&S said it had “removed the post following feedback and we apologise for any unintentional hurt caused”.
Zara’s Spanish parent company, Inditex, is scheduled to announce its latest quarterly results on Wednesday.
GIGI, PART DEUX:Gigi Hadid’s collaboration with Self-Portrait continues, as she appears in the brand’s latest fall 2023 campaign shot in Paris by British photographer Tyrone Lebon and styled by Marie Chaix.
The contemporary fashion label, which counts Kate Middleton,Naomi Campbell,Jennifer Coolidge and Blackpink among its fans, had worked with Hadid in London and New York on previous campaigns, and according to Han Chong, brand founder and creative director, “it felt only right that we join her in Paris for our latest campaign shoot against a backdrop renowned for elegance and romance.”
In one of the shots from the campaign, Hadid poses behind a grand classical wrought iron balcony while wearing a fuchsia tweed jacket with a matching bar top and a pleated skirt from the brand’s fall 2023 collection. In a separate image, Hadid gazes down at the camera in a sequined asymmetric aquamarine dress.
Commenting on the latest campaign, Chong praised Hadid as “everything the modern Self-Portrait woman stands for — free, spirited, and joyful.”
“Being able to shoot in Paris is always such a dream…it’s one of my favorite cities in the world, filled with so much charm and magic. And to be able to shoot with the Self-Portrait team who have become such incredible partners and friends, made it an even more memorable experience,” Hadidadded.
Launching together with the release of the campaign, the fall 2023 collection will hit stores worldwide from Tuesday.
For fall, Chong offered a balanced collection that caters to both the sensual new vibe, as well as those who buy into straightforward pretty, and elegant outfits for their everyday lives.
Standouts in the collection included sequinned, embellished high-glam evening options, many of which came with sleeves, a detail that’s appreciated in the modest community.
The denim pieces were cut for a younger and cooler audience, while the abundant supply of tweed jackets and coordinated bra tops and skirts have already won over fans including Selena Gomez, Princess Beatrice and Zhao Liying, Self-Portrait’s first Chinese brand ambassador. — TIANWEI ZHANG
JUMPING THE GUN: Kirsten Dunst couldn’t help herself from leaking the news about her upcoming collaboration with Coach when actress and comedian Ayo Edebiri was spotted wearing pieces from the Observed by Us x Coach line.
The actress shared the news on Instagram with an image showing Edebiri wearing a white top with dinosaurs on it.
The collection, which will be released to the rest of the world on Wednesday, features ready-to-wear, bags, footwear and accessories printed and embellished with original, hand-drawn illustrations by Jessica Herschko, a Los Angeles-based illustrator and designer of Observed by Us, and Dunst.
Coach creative director Stuart Vevers worked with the duo to create the line of T-shirts, hoodies, floral dresses and jeans whose inspiration was based on pieces found in Dunst’s closet. Key pieces include a wool pointelle crop top, overalls and a straw hat — each printed and embellished with original, hand-drawn illustrations by Herschko. Additionally, the pieces feature “storypatches,” a signature of Coach, in Herschko’s handwriting that tell the stories of illustrations in the collection.
“Creating this collection with Kirsten and Jessica was delightful,” said Vevers. “We got to celebrate our shared love of imagination and playfulness. Kirsten, and her style, have often been an inspiration for me. So to design alongside her and Jessica — and to blend their vivid storytelling and color with our own American heritage design language and craftsmanship — was really inspiring.”
Vevers added that he was introduced to the duo by a mutual friend and the collaboration “evolved quite naturally from there. I was immediately drawn to Jessica’s illustrations and their imaginative use of color and playful themes, but also to the way Kirsten and Jessica joyfully celebrate the beauty in the everyday — a theme I love to explore also. The collection is charming and pretty. The idiosyncratic embellishments feel both personal and expressive. There’s also a found quality and vintage feel that adds a sense of ease and cool.”
Vevers said what he likes most about working with other brands is that it allows him to try something new. “Every collaboration I’ve done is different,” he said. “I think that’s what I enjoy most about collaboration — it’s about trying something new, and working with someone else can give me a chance to challenge myself. Whether it’s with heroes of mine, contemporary artists or iconic imagery it’s also about an element of surprise. Something I’ve not done before.”
“We started Observed by Us to create clothing and other items with images that evoke a special, happy feeling and a sense of appreciation for both the natural and the man made,” said Herschko. “It was very fun to collaborate with Coach because, much like us, they see a world of possibility in the small details and have the ability to execute that perfectly.”
The collection will range in price from $20 to $595 and will be sold on the Coach website as well as in select Coach stores. — JEAN E. PALMIERI
The rooftop of the new high-rise Summit building in downtown Seattle will heat up Wednesday afternoon with the imagined island lifestyle that’s been powering local brand Tommy Bahama for 30 years.
Four hundred guests will attend the spring 2024 show, where models will walk the runway in tropical print bikinis, shirts and seersucker suits. Yes, there will be Beach Boys on the soundtrack, as well as Beyoncé, and cocktails will be served — grapefruit basil martinis, which will be the featured drink at the new Tommy Bahama Miramonte Resort & Spa opening later this year in Indian Wells, California.
An unlikely product of the Pacific Northwest, Tommy Bahama was founded in 1992 by Bob Emfield and Tony Margolis, two garment business veterans who met in Seattle in the ’70s, when they were sales reps for Brittania Sportswear Ltd. The company is named after a character they invented after buying houses on Florida’s Gulf Coast, where they dreamed of living life as one long weekend.
Now owned by Oxford Industries, Tommy Bahama — which delivered top-line growth of 5 percent in the first quarter — has become a lifestyle empire that extends from coast to coast and now includes clothing and licensed accessories, home products such as rugs, bedding and upholstered furniture, restaurants — and soon, a hotel.
There’s a unified vision for it all.
For spring 2024, St. Barths was the seasonal inspiration for the 60-member design team based in Seattle, who travel to vacation locations for research trips. On the mood board are photos of the island’s red roofs, sunshine yellow mini Mokes, leafy patios and deep blue infinity pools.
“When I first started, the men’s, women’s and accessories teams didn’t really connect very much on the beginning of the season, and they all looked very different. So we started creating a seasonal destination,” explained design director Bradley O’Brien, who joined in 2014 after a decade at Ralph Lauren, four years at Old Navy, six at Lands’ End and four at Sperry Top-Sider. “We look at everything, from the architecture to the culture to the food and the artisans. We get a lot of inspiration from handicrafts, and flora and fauna of the particular area. We take lots and lots of photos and pull together concepts for the art department that really influences the color and the prints.”
The men’s and women’s collection will feature lots of novelty dresses, including a new Johnny Collar style; linen suiting; seersucker tops, skorts, bombers and blazers; swimwear, and stretch denim with sun protection. (Tommy Bahama has seals of approval from the Skin Cancer Foundation, and has raised more than $500,000 for the organization in its stores.)
“The great part about a runway is it’s not necessarily the real way, and so you can put things out there and style them in a way that makes people think, ‘Oh, I never thought of that.’ Like pairing a linen suit with a bikini,” she said.
The brand’s customer demographic is age 35 to 60, with the sweet spot in their 40s and 50s, and the women’s business is now growing faster than men’s. As a percentage of sales over the last five years, women’s has grown 53 percent, while men’s has grown 22 percent.
Dresses and knits are the two biggest categories and, surprisingly, women’s suiting is not far behind. ‘We’ve always done linen suiting for men and we can’t even keep it in stock now. There’s definitely a trend happening in women’s as well all around the blazer and the suit. So this is the first time that we’ll be offering really great suiting for her as well.”
Performancewear under the Island Zone franchise has also been key to the brand’s success, and the spring 2024 collection is taking inspiration from “court and course,” with clothing that can be worn from the golf course to the pickleball court.
“The fabrics keep you dry, they stretch, they’ve got great details, pockets and things that help you stay active,” said O’Brien, adding that the Palm Coast Polo is a top seller.
The brand has also hit with a woven fabric that’s perforated, used for camp shirts. “It looks like a silk camp shirt but it performs really well, is super lightweight and stretches and keeps you dry. It’s been so popular, we’re introducing it for women. That’s what’s fun about being a dual gender brand.”
Spring will also mark the debut of a performance seersucker fabric, alongside a traditional woven one, leaning into fashion’s return to prep and the old money trend.
“We absolutely look at the runway in the beginning of the season, and scour through some of the shows of the tried and true brands. Then we put it through the Tommy Bahama filters.…Our guest is not about fast fashion but wants to be relevant. And so if puff sleeves are definitely trending, we might put a puff sleeve on something that we already know she knows and loves in a fabrication that she already has in her closet to get her to buy into a new version.”
What are the Tommy Bahama filters?
“We talk about quality, artistry and craftsmanship, and especially in the imagery, we always want to show up looking like sun and sea and sky and sand. And then when it comes down to the product itself, it has to be effortless. Sometimes things will have one or two details too many.…You just want to be able to throw something on and feel super comfortable and relaxed,” O’Brien said. “And then the last thing that we say is we always want to have ‘a sprinkle of sand.’ It’s just a cute detail that makes the customer smile.”
For some fresh inspiration, the brand has partnered with the New York-based nonprofit Fashion Scholarship Fund on a design contest, and on Wednesday will award three $15,000 scholarships to students whose work will be included in the 2024 Tommy Bahama Artist Series.
“They’ll be representing their artwork and will have their apparel on mannequins, and everybody will be able to meet them and understand the inspiration,” O’Brien said. “Coming from the East Coast, and having a career at brands that are household names, I wanted Tommy Bahama to be a household name. And what better way than to gain awareness and recognition with these students? We just launched an internship program as well…so the talent of tomorrow wants to come and work here, too.”
One of the female executive’s proudest achievements has been elevating Tommy Bahama’s women’s profile. “It’s nice to see the perception is shifting,” said O’Brien, who favors the brand’s dresses, jeans and flirty tops for work. “And when you’re in stores, you also see families coming in. So it’s definitely a brand the entire family engages with.”
That’s thanks also to the Tommy Bahama Marlin Bars, which debuted way ahead of the latest wave of fashion-fronted restaurants like the Polo Bar and Tiffany Blue Box Café. Three more Marlin Bars are opening on the horizon.
“We do see that the stores that are attached to those, the sales are really, really strong in those doors. So the guest likes to come in and enjoy being a part of the brand and then shop it as well,” she said.
Soon they can also be able to live it at the Tommy Bahama Miramonte Resort & Spa, opening in November outside of Palm Springs, California, with 215 rooms, three pools, and a 12,000-square-foot spa.
“That’s going to be a big moment,” O’Brien said. “I was lucky enough to work with our home wallpaper and fabric licensee to help pick out all the fabrics and wallpapers for each of the suites and the rooms. And we are going to have our artists go down and create signature murals for them.”
The hotel property will feature a 1,200-square-foot retail store, even though it’s within miles of Tommy Bahama stores in both Palm Springs and Palm Desert. O’Brien said, “We’re thinking of it more as a lab, where we can test elevated product.”